![]() In Requiem for a Dream, for example, simple sound effects are the only sound included.Though Pudovkin's name may not ring a bell for some, his teacher's might. As evidenced by the montages outlined above, the majority but not all contain music. Get a second (and third!) unbiased opinion, if you’re worried your montage is running too long or is confusing. Less is generally more, but you also need to ensure that viewers are able to follow along. Some montages last only seconds, while others last several minutes. The length of a montage is completely dependent on what it’s covering and how it fits into the story at large. If you choose to use dialogue in a montage, make sure that you’re being concise. Is it most impactful at the start, the climax, the end? Can I Use Dialogue in a Montage? The placement of your montage in your story is also worth considering. However, it is a combination of all of these elements that create a winning montage. Music/sound effects/voiceover, pacing, and well-framed and ordered visuals are all important parts of making an emotional montage tick. How Do I Make a Montage Emotionally Engaging? ![]() Still confused? Here are some quickfire answers to some FAQs. What feeling are you hoping to evoke in the audience as they watch? Excitement? Sadness? Anxiety? This will inform the speed of your montage, and your method of transitioning from one shot to another. This includes pacing and cut styles, which will be choices you make in the edit. ![]() The last aspect to consider in putting together your montage is the transitions. Related Celtx Blog: How to Write a Short Story: A 6 Step Guide with Examples Will there be music, dialogue, or voiceover laid on top? Or, will silence or diegetic sound aid the storytelling? Once you have a clear sense of what your montage will look like, you’ll need to turn your attention to sound. Will your montage include only closeups? Will there be motion, or will the sequence be comprised of a series of stills? Do the shots have contrasting or complimentary colors and lighting? The aesthetic of your sequence should be your first consideration when putting a montage together. There are endless creative possibilities when it comes to putting together a montage, but the basic elements which will make your sequence engaging remain the same across the board.įirst and foremost, given that film is a visual medium, the actual images you as a filmmaker choose to include in your montage are extremely important. No matter what type of story you’re looking to tell, you’ll find that incorporating a montage will help you keep your rhythm varied, your visuals engaging, and your plot efficient. Nowadays, there’s no shortage of inspiration to be tapped from existing films and TV, which have found many creative, out-of-the-box ways to execute this technique. The craft of filmmaking has come a long way since the Soviet avant-garde era, but the use of montage is no less significant. Though there were some instances of montage in films made in the leadup to and during World War II, it wasn’t until American and British filmmakers started putting their own spin on this tool in the 1950s that it regained popularity and continued to evolve. Thanks to Kuleshov and Eisenstein’s critical work, filmmakers in the Soviet Union began using and experimenting with this technique.Īs Soviet power became increasingly strict and repressive, the usage of montage became less popular, giving way once again to simpler, stripped down techniques. He determined that a film montage would, by definition, be made up of small pieces that lacked meaning alone but gained significance once strung together. Following Kuleshov’s lead, Sergei Eisenstein studied montage further.
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